So this makes eighteen blog posts by which to measure my grief, since initiated on the nineteenth day of this most widely despised year in a horse’s age. Last year my tally was three, so if you insist on people having things to be thankful for this year, I can at least count not having writer’s block (as well as, OK, not having to deal with Microsoft Excel on a regular basis).
Four of the posts really had nothing to do with the grief thing, so then: Fourteen.
Four days to go, still, so count this an encore. (I don’t know if the organist at a funeral home expects an encore for his dirge, but I wouldn’t be offended.)
Is that enough?
Will anything ever be enough?
Anyway, Facebook bugs me. I should probably avoid it on the days that some beloved musician or actor dies, so I don’t become more enraged than usual at the grief tourism on display. The way things have been going of late, that would mean more time off of The Social Media than on. Probably not such a bad thing.
By grief tourism, to define the term, I mean people complaining, even affecting a guise of sackcloth and ashes (surely this should be an Instagram filter, Pseudogrief Pro II), about things that don’t affect them personally. Deaths of musicians and actors both celebrated and obscure, whether they kicked off at 27 or 97, none of whom they ever, probably, met personally, much less had any kind of relationship with; politics and elections, always tawdry at best, horrifying at worst; real issues of social justice and the environment, which do matter, but it’s hard to tell whether the concern for any of these causes go more than Twitter-deep.
I like my friends (the real ones), I do. I can’t expect all of them to understand what I’m going through, when I barely understand it myself. It’s still a new country, but it’s mine. The other inhabitants of grief land all have their own reasons for being there, their own particular horror stories, and I don’t understand all of them perfectly, just as they don’t understand me. But we’ve all been handed a similar parcel that we never wanted and been told: Deal with this.
As for social media grief tourism, it’s been going on for much longer than a year, but, with the admittedly awful election just past, everything has gotten stuck in a feedback loop. Alan Rickman dies, or Prince, or Harper Lee, or Gene Wilder, or Patty Duke or Garry Shandling or Ali or Elie Wiesel or George Michael or Carrie Fisher or Debbie Reynolds, and the tributes pour in, and I’m sorry about all of them but, you know, I started out the year watching my wife and life partner die in a hospital room, and then was left to figure out the rest of my life, so you might excuse me that it angers me when people complain about 2016 being so awful when they themselves are, by any measure, doing great, and I have no patience for the tributes and reminiscences by those who, by any measure, didn’t know them beyond their public face. To scan a Facebook feed (mine, anyway) is to consume a constant stream of this person died, that person died, happy birthday to someone who died years ago, death, cancer, riots, misery, death, political horrors, and more death. It’s hip to be a grief tourist.
But why lay claim to misery you didn’t earn?
Not like misery is such a great thing to be in. It’s miserable. But at least I came by it honestly.
To the grief tourists, I say: Sorry, but you can’t spend the whole year on Facebook bragging about your family and friends and your extensive travels (Venice! Colorado! Hawaii! France! Alaska!) and how great everything is, and then throw in something about how 2016 sucked, and you can’t wait for it to be over (because obviously, come January nobody will die anymore).
You’re clueless tourists in the land of the grieving, I might say. You wear shorts and bathing suits in churches, you take photos of the bereaved relatives and post them to your page, you set out a picnic in the cathedral built of skulls.
I am open to the possibility that maybe after you die, you realize that dying was the best thing that ever happened to you. But you’re not supposed to know this yet.
We’re not supposed to know this yet.
Because it’s beyond the parameters of the game.
And so we keep playing.